In January 2018, one of our helpful informants for the Soho research project gave us a simple document, just as we were leaving his flat. He couldn’t remember where it had come from or what it signified, but it had been in his possession for many years. The document is A5 in size, made of thick paper and folded like a greetings card. It is printed in red on a yellow background, and emblazoned on three pages with an equal-armed red cross ‘pattée’. The front cover simply says ‘Chronos’, and the back cover dates it as 1958.
The text is as follows:
Inner left-hand page:
There is a Gate through which we all must pass that men call Time. Before this Gate there stands a Sentinel, whose name is Chronos. He bears a solitary key, which he dares not relinquish. But for those who know the way, he will unlock the Gate. But should we, unbeknowing, meet him by a chance, his mien is terrible, and cold, for we are not yet ready for his favour. But if we seek the way then we shall surely find it, and he will smile, for we have known him always.
Inner right-hand page:
If, in the midst of troubled time we stand aside
And calmly wait until the seeming storm subside;
We stand, though unawares, upon a hallowed ground,
For we have found Eternity.
Equal-armed Cross Pattee at bottom with initials ‘A’ and ‘B’ either side, and date 1958 underneath.
The Society of the Hidden Life
The card was given to us by Stan Green, a former member of Tony Potter’s group. This group was often known as ‘The Society of the Hidden Life,’ and ran from the early 1960s into the 1970s. It was a branch of the original Soho Cabbala Group, as the three main leaders - Alan Bain, Glyn Davies and Tony Potter - began to develop their own independent lines of work. Since the card is dated 1958, this means it originated with the primary Soho Group, which began to meet around 1957.
The ‘A – B’ on the back page probably refers to Alan Bain. We know that he continued to use this symbol with the cross and the initials for several further projects. However, the general view among those of us who have studied the text, is that it is likely to have been initiated or written by Glyn Davies. And then Tony Potter must have perpetuated it, since the card was passed on to one of his own group members, and Tony used variants of this text in his own teachings. So this card and the wording it contains probably involved all three of the main figures in the original Soho Group.
The manual of the Society of the Hidden Life, written by Tony Potter, contains the following passage:
…The quickest way to solve any difficulty is to stop. It is written:
‘If, in the midst of troubled time we stand aside, and calmly wait until the seeming storm subside; we stand though unawares on hallowed ground, for we have found Eternity.’
This expansion of time for action is often experienced in car smashes, but it can be produced at will.
(See also use of the quotation in Rod Thorn’s post on The Stop Exercise.)
The emblem reappears too, on a bookplate in a volume which was presumably once part of the Society of the Hidden Life’s library. John Pearce, another former member of Tony Potter’s group, discovered the book on his shelves and sent us the photo
Gathering up the Associations
I’m aiming here to point to some of the associations with the Chronos card, and to some of the possible sources, but without drawing hard and fast conclusions. It’s a work in progress - a collective exercise which has revealed some interesting connections. As for its significance, this is in a way even harder to pin down; it may have resonated with different aspects of ‘the Work’ and have emerged in different forms.
The Sentinel - Arthur C. Clarke
I’ll start with the short story, ‘The Sentinel’, by Arthur C. Clarke, first published in 1951. This might seem a far cry, but members of the early Soho Group loved science fiction, which in that era was the most imaginative kind of literature around, especially in terms of visions of life in space and the future of mankind. The story contains the following passage:
'So they left a sentinel, one of millions they have scattered throughout the universe, watching over all worlds with the promise of life. It was a beacon that down the ages had been patiently signalling the fact that no one had discovered it.'
You can listen to the story on You Tube. In brief, it’s about a space explorer, who investigates a point of light high up on one of the lunar mountains. It becomes apparent that it is a signalling station left there before the dawn of life on earth, by ‘something which swept through the stars’ looking for signs of intelligent life. If a being of suitable intelligence comes along and activates it, the forces which put it there will become aware of their presence and in some way come to help these sentient beings. As the protagonist in the story has now triggered this signal, mankind can expect a radical new development very soon.
Incidentally, this story is often pointed to as the first version of the film ‘2001’, but as Clarke himself pointed out testily: ‘I am continually annoyed by careless references to ‘The Sentinel’ as ‘the story on which 2001 is based; it bears about as much resemblance to the movie as an acorn to the resultant full-grown oak.’ (Author’s foreword to the anthology The Sentinel, 1983). This does however show the power of this particular symbol, and members of the Soho Group may well have drawn on it for inspiration.
The Dweller on the Threshold
The term ‘Dweller on the Threshold’ is known to have appeared as early as 1842, in a somewhat malevolent form in the novel Zanoni by Edward Bulwer-Lytton.
The term ‘dweller on the threshold’ (or Guardian of the Threshold, as Rudolf Steiner termed him) was also used later in Theosophical and magical circles. William Gray, in his book Inner Magical Traditions (1970), defines the ‘Dweller’ thus, in relation to our own connection with higher beings such as angels:
‘These, and allied queries meet us fairly and squarely at the portals between which we cannot pass until our solution of them permits us. Once, this barrier was called the “Dweller on the Threshold”, which consists of whatever in ourselves refuses admission to the Inner Adytum of Spirit for that part of us which seeks evolvement away from our purely earthly projections. Each must deal with their particular “Dweller” in their own way, for every one is peculiar to the individual concerned. The struggle with the “Dweller” is always a solitary one, and usually a most distressing experience, since it amounts to practically civil war in a divided self.’
Another allied term, ‘the Watchman’ was used in the teaching of the School of Economic Science:
‘The first function of the moving part of the reasoning principle is to watch; it is the watchman in us. It watches in the double sense of the word; it looks out to see what is abroad and watches over what is within; it is at once a sentinel and a guard.’
This quote comes from Man: A Tri-Cerebral Being, an anonymous text described as being ‘An extension to the notes of Leon McLaren, based on the work of Ouspensky - June 2000’.
The text concludes with ‘Exercise’, a practice which resembles The Stop Exercise.
Our practice is to bring the body into view, let the mind fall silent, and open awareness wide, and try to hold this silent open awareness for a few minutes; and to repeat this two or three times every day. We must bring the body into view to know that we are; let the mind fall silent so that we may a little hear and see; open awareness wide to know where we are; all three at once.
This practice puts the watchman in place, so that both the outer and inner worlds are held in observation. Practised regularly each day when we may be quiet, it enables us to come to ourselves at odd moments during the day and see our situation as it really is.
Some link with the Chronos pamphlet is quite possible here. Leon Maclaren, whose teaching prompted the paper ‘Man: A Tri-Cerebral Being’, was a figurehead at the School of Economic Science in the late 1950s, and aimed to reformulate the teaching of Ouspensky into the SES programme. About the time that the pamphlet ‘Chronos’ was produced, members of the Soho Group were themselves working on a short programme of SES studies along with their own studies of Cabbala, in collaboration with SES
Additionally, Maclaren and his colleague Francis Roles were working at the time on what was to become a short film which you can view via this link, and entitled ‘The Surface of Time’.
As for Chronos, (whose name can also be spelt Cronus, Cronos, or Kronos) he is of course well-known from Greek mythology as ‘the leader and youngest of the first generation of Titans, the divine descendants of Uranus, the sky, and Gaia, the earth.’ https://en.wikipedia.org/wiki/Cronus. However, the following quote brings us closer to what Chronos may have meant to the work of the Group at that time:
‘An episode is mentioned by Plutarch in his first century account De Defectis Oracularum. He is talking about the islands scattered around Brittania, and says "there was one island there in which Cronos was held asleep under guard of Briareus, for that sleep had been contrived as his bonds and around him were many spirits, his attendants and servants."’
Celtic Cosmology and the Otherworld: Mythic Origins, Sovereignty and Liminality, Sharon Paice MacLeod, p. 165.
This quote was supplied by Rod Thorn, who also notes that ‘the theme of Cronus as a sleeping (and dreaming) god could have a relationship to the role of the sentinel as (a) a borderline for 'waking up', and (b) the door into dreaming.’
As an extra association, it may be too that there is a connection to interpretations of the Enneagram within the Gurdjieff line, where Chronos is sometimes used to symbolise the Circle surrounding the nine-pointed figure, signifying the eternal cycle of time and manifestation. (Enneagram Studies, J. G. Bennett)
Plainly, the ‘Inner Sentinel’ like ‘the Dweller on the Threshold‘ is a much earlier concept than the Soho Group of the late 1950s. John Pearce also pointed us towards a book published in 1930, called The Inner Sentinel: A Study of Ourselves by Lawrence Pearsall Jacks. John comments: ‘L. P. Jacks was an English educator, philosopher, and Unitarian minister who rose to prominence in the period from World War I to World War II. Jacks was interested in parapsychology and was President for the Society for Psychical Research (1917-1918).’
The book does contain relevant themes, but there seems to be no direct link to the line of work pursued in the Soho Group.
There may therefore be precedents for using the symbol of Chronos and the Sentinel, both in fictional and esoteric contexts, but there is nothing to show that these were direct links. A loose connection with the teachings of the School of Economic Science is certainly possible, along with the inspiration which Arthur C. Clarke’s story may have brought. But overall, perhaps it is better to say that an idea or archetype circulating in the ‘ether’ was brought into focus by one or more of the Soho Group teachers, and its resonance was harnessed within a particular context, which was the evolving philosophy of Tree of Life Cabbala.
The ongoing Sentinel
The notion of the ‘Sentinel’ has continued to play a part in the formulation of Saros Philosophy, which was initiated by Glyn Davies, and based on Kabbalistic teaching. Here, it is usually seen as the watcher on the threshold, who stands at the border between higher and lower states of consciousness. As the other mentions of the Sentinel suggest, this is not always an easy borderline to cross, and the figure who guards or admits here – an aspect of our own consciousness – can challenge us. Passing the Sentinel may involve apprehension and even conflict.
Order of Sentinels
To conclude – and leaving the way open for further speculation - I’ll insert the quotations which prefix each chapter in Wielding Power by Charles R. Tetworth (2002), a treatise on magical practice. The author is said to be closely associated with the Soho and subsequent groups. These are described as ‘Instructions to Members, Order of Sentinels’. And they certainly provoke further thought!
Ch. One – Rituals of Life
Ritual requires perfected action, perfect attention, and perfect conduct. It requires the body to be disciplined, the heart to be steadfast, and the mind to be clear. Whether in Invocation, Evocation, Thankfulness, or Celebration, the purpose should be clear, the aim steady, and the power controlled. Only when these conditions are met can one be brought to that state of knowing where the unknown appears. All else is preparation, practice, and habit.
Ch. Two – Preparing the Ground
Do not bring the dust of the world into this space. It is holy: it is the Temple of the Lords and Ladies. The work is difficult enough without further complications. Simplify, simplify, simplify.
Ch. Three – Time and Tides
Purpose is the little light of faith that glows quietly behind the mind of the operator. Doubt is the killer of faith, the thief of purpose. Cast out doubt; give it no room in your house. Dispatch it, send it hence, let it go.
Ch. Four – Ritual and Language
Divinity speaks to each in their own tongue. What then is the language of the Divine?
Ch. Five – Bootstrapping
To make gold, you need first a little real gold
Ch. Six – The Training of an Apprentice
The apprentice says, ‘Very good’; the journeyman says, ‘Good;’ but the master says, ‘Not bad…’
Ch. Seven – Empowerment
When the hand, the tool and the eye are one, that is one thing; when the mind and heart are engaged, that is another; but when the Creative enters, that is transcendence.
Ch Eight – Worlds and Travellers
A world is complete in itself. Which world do you want to live in? Hell, Purgatory or Heaven?
Ch. Nine - Survival
Life competes with entropy by perpetuating itself, generation unto generation
Ch. Ten – An Old Nation
You appoint your own ruler
One who knows cannot speak
One who speaks cannot know
See also this article by Lucy Oliver, based on her reflections on the Sentinel and the Chronos leaflet.
Thanks for various types of help and for our joint research to Stan Green, John Pearce, Lionel Bowen, Rod Thorn, Jack Dawson and Michael Frenda.
Articles are written by Cherry and Rod. See the bottom of the About page for more.
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